
So I rewrote that initial draft. I was unsatisfied with how the characters sounded dialog wise. I felt I had envisioned a table and set it with all the necessary things, but the food was terrible. The food wasn’t even bland it was just straight terrible.
What makes a character able to be empathized with immediately?
What else makes a character instantly likable?
What can I convey in the writing to make things more extreme vs what is too extreme? Do actions or words convey this better?
Fade In
A young, but not too young man probably somewhere in his late twenties to early thirties–the sort of age where men have a crisis of conscious as to if they are doing the right things with their lives–wakes up between two naked women that are clearly in the early twenties maybe even too young to drink. The man’s eyes flutter open slowly as if he has all the time in the world there is no rush and that he is savoring every moment especially waking up between two beautiful naked women.
He looks at his watch and his eyes widen.
Vic
Oh. Fuck.
He hops out of bed and starts trying to find all of his clothes scattered throughout the hotel room. He acts sort of cobbled because he’s hung over. Eventually he has on a wrinkled gray oxford shirt and a black wool suit that is impeccably tailored to his youthful and fit body. The final touch are a pair of custom made brogues that he wears without socks that he can’t find. Vic exits the room with his phone to his ear.
Vic
Frank, please tell me you tracked my phone and you’re outside of wherever the fuck I am.
Vic hurredly starts running down a flight of stairs.
Frank
I did track your phone and I’m outside of the Rivington Hotel with a cup of coffee, four aspirin, and an everything with cream cheese in the backseat for you.
Vic
You think we can make it on time?
Frank The clients flight was delayed last night so we’ve got maybe an hour to get to the airport.
Vic exits the small building in the Lower East side and scans the street for his driver’s car. He finally spots it and runs over to the car in the early afternoon light. He opens the door and slides in and the car pulls away from the curb as the door closes.
Frank
Watch out for the coffee it might still be kind of hot.
He pops the aspiring and takes a sip of the coffee. Makes a face.
Vic
Frank, it’s cold as shit. How long have you been sitting out here?
Frank
I don’t know I popped in an Alan Watts CD and I must have lost track of time.
Vic shakes his head and checks his watch again.
Vic
You think we can make it?
Frank
We’ll see.
Cut to JFK.
Bill Murray picks up his bag from the baggage claim and starts walking out towards the exit not seeing any driver looking fellow with his name on a white card. He’s dressed in a Knicks Jersey that’s a few sizes too big and super faded loose cut jeans with white tennis shoes. Just as he exits the airport to the curb a black Audi S8 pulls up in front of him and the truck of the car opens and the back door opens as well. Frank gets out and greets Bill Murray with the tip of his Met’s cap and picks up his bag for him. Bill Murray climbs into the car.
Bill
You guys have impeccable timing.
Vic
Mr. Murray, so good to meet you. I have a list of hotels in mind for you depending on what type of trip you would like to have this time.
Bill
Oh, please call me Bill. I was thinking something youthful and fun like the Marriot or something. I’m shooting a new movie in a few months and I’m supposed to play a mentor type role to a young comedy writer.
Vic
Well, have you ever mentored anyone before?
Bill
Well I once gave advice to a suicidal guy in a bathroom in the mid nineties and he never did kill himself. We actually ended up getting kicked out of a bar later. I’m not sure what happened after that.
Pause
Bill
So I would say I’m a journeyman mentor in terms of skill level.
Vic
You’re much to harsh. I would say your prolific body of work paints a different picture.
Bill
You’re too kind… What your name again?
Vic
Oh, it’s Victor. Everyone calls me Vic.
Bill
Sure thing Victor. You know Victor sounds much more imposing sort of like a Czar or something. Very harsh those V sounds have.
Pause while Vic plays with his phone for a bit. Scenery passes by.
Bill
So how does this work?
Vic
I essentially fix or facilitate things to happen. I’m the grease between the wheels and I get square pegs to fit in round holes and round pegs to fit in triangular holes. I’ll get you into where you need to go and meet the right people in order to meet your goals. So far as I understand it you want to stay someplace hip and young full of energy and you need to know about mentoring people especially writers.
Bill
No, I meant your phone. I was thinking about getting one of those. You know I once fired my PR person and Agent and had a telephone answering machine instead?
Vic
No I did—
Bill
You know I was thinking it might help if that young writer person would happen to be like a Tina Fey before she becomes Tina Fey so that when she becomes successful due to her talent and hard work she’ll remember how good of a mentor I was and cast me in her breakout comedy movie.
Vic
I think I have some ideas in mind. Let’s get you checked in first shall we?
Bill
Lead the way fixer. Do you pay for my hotel or do I pay for—
Vic
You pay. It’s your hotel room.
Bill
What’s your job title again? I’m going to write a note to myself in case time travel ever becomes invented so I can go back in time to tell myself to become whatever it is you are.
Vic
People generally refer to me as The Fixer. Here you want to email it to yourself on my phone?
Bill
Email? What’s that?
Bill takes the phone and starts typing away on the screen.
Cut to the car pulling up to the hotel.
The Audi pulls up to the main entrance and the truck pops open. The outside of the hotel is understated and unassuming in the gloom of dusk, but the way the doorman has the bag on the curb before the Frank can get out. Vic and Bill get out of the car and walk inside to check in.
Marble on marble everywhere. A group of young women and young men walk past laughing looking ridiculously stylish just laughing or joking. No actual dialog is heard as they go past.
Bill
Wow, you did a good job picking this place out. Where am I?
Vic
The place doesn’t actually have a name as of yet it’s just called 158 Rivington.
Bill
They must have forgotten to name it. I once got this dog and I forgot to name him I just called him “hey dog” and that’s what he responded to
A young slim almost too skinny young man walks out from behind the Marble reception desk. He’s dressed in Thom Brown suit with super short cropped legs.
Desk Assistant
Mr. Murray! We’ve got an excellent room with a view for you on the top floor.
Bill
Oh great. Thank you so much.
Bill (whispers to Vic)
Has anyone told this guy his pants are too short? This isn’t Capri you know.
Vic
I’ll tell him later. What time would you like to get dinner?
They follow the receptionist guy through the hotel. The camera peers into rooms as they walk by and it’s a combination of high end Fashion Commercials and MTV’s Spring Break taking place inside.
Bill
How about after I drop my bag off.
Vic
You don’t have your bag with you
The hotel guy swipes his card and pushes a button. They ride up the elevator.
Bill
Well then as soon as I know which one is mine then.
The hotel door opens to a room the room is the whole top floor with a piano, full bar, kitchen, TV, Eames chairs, etc. Swank. The assistant hands Bill Murray a swipe key.
Desk Assistant
So this is the room. We unpack your bag for you if you want.
Bill
Sure. Sounds lovely. I usually don’t unpack my bag I thought the dressers in hotels were kind of silly, but if someone does it all for you then why not right?
Vic tips the assistant a few hundred and whispers something in his ear. The assistant walks back onto the
Bill
So, what do you think—
Vic
Come with me I’ve got dinner already lined up.
Cut to Subterfuge. The dopest sandwich joint ever and it might also be a club at night time. Bill and Vic walk past a subway, quiznos, and a deli on the way there. There is a line outside going down the block and a bouncer at the door. Vic and Bill come up to the doorman.
Vic
Hey Ernie. How’s your little cousin doing these days?
Ernie
Oh, He’s doing much better. Thanks for getting him in to see that specialist friend of yours it’s made a world of difference.
Vic
Just glad I could help buddy. Let me know if you need anything else
Ernie
Of course.
Bill and Vic walk in while people complain about getting cut to Ernie.
The interior is modest in a modern utilitarian way in that everything has clean lines and there are no superfluous things. Every table is completely packed except for two stools at the bar with a reserved sign sitting there.
Vic and Bill casually take a seat at the bar.
The bartender turns around and it’s another average beautiful woman. Who also happens to know Vic.
Bartender
Hey sweetie I heard you were coming through tonight. What can I get for you?
Vic
Um, I’ll take a grilled cheese and an assortment of pickles and olives. Oh and a beer.
Bill
Is there a menu I can order from?
Bartender
There is no menu just order whatever you want and we’ll make it for you. Within reason of course. We don’t have any shark or anything back there.
Bill makes another quizzical face
Bill
Shark sandwiches? I’ll take a bacon sandwich with chips, a pickle, and a glass of white wine.
Bartender Sure thing boys.
The girl next to Bill Murray turns in her stool and looks at him from the corner of her eye and once she’s confirmed that it is indeed him she decides to speak.
NYU Girl
Excuse me. Are you Bill Murray?
Bill
I think so
The girl puts a hand to her chest and doubles over a little bit. Or acts however shocked NYU girls act?
Bill
Are you ok? Did I scare you? Sometimes I have that effect on people.
NYU Girl
Yes
Bill
I’m sorry I scared you.
NYU Girl
No, no—
Bill
There’s no need to refuse my apology
She takes a minute to recover takes a sip of her red wine and seems to gather some courage
NYU Girl No. It’s not that. I’m just a huge fan and I love your work.
Bill
Even the latest stuff?
NYU Girl
Are you kidding me? That is the worst shit I’ve ever seen you do—well except for Zombieland. I cannot believe you have stooped to this level.
Bill pulls a perplexed face. It’s like he’s entered the twilight zone
NYU Girl
Seriously it’s bad. I know you know its bad. Lost in Translation you essentially played a watered down version of yourself that was less funny. I mean I know it was a drama, but come on.
Bill
I know its bad. I mean I have bills to pay too. Maybe I didn’t realize it was this bad until a random girl in a sandwich shop might say it’s bad.
NYU Girl
Oh I’m not Random. Vic told me to meet him here around now and that he would have someone I would like to meet.
She leans over so she can see Vic
NYU Girl
Hi Vic.
Vic
Hey Chelsea. Good to see you again. You think we’re even now?
NYU Girl
Potentially, we’ll see how this goes—
She turns back to Bill Murray and they converse while Bill Murray discreetly puts a hand behind his back for a subtle high five with Vic.
We see Vic alone drinking his beer on the stool looking at his phone and around the restaurant. NYU Girl and Bill Murray are just talking animatedly and seem to be having a great time. When the food comes out Vic’s is in a box for which he throws a twenty on the bar, pats Murray on the shoulder and walks out. He shakes hands with Ernie and then gets into the car waiting outside.
Cut to Frank driving Vic through the city with Vic looking at this phone. Messages pop up every few seconds of people inviting him out or asking him if they can get them into a club or a bar.
Vic
Frank, we got anything tomorrow morning?
Frank
Nope. The schedule starts around 4pm.
Vic
Fantastic. Hey, let me out up here I wanna walk for a bit before I go home.
Frank
Whatever you want boss.
He turns his phone off and gets out once the car stops.
Vic
I’ll see you tomorrow Frank.
Frank
Goodnight kid. Try and get some sleep. You look like shit
Vic
Fuck you too Frank.
Frank drives off laughing
The camera stays behind Frank as people walk past him all on their way to something that looks more entertaining in the early evening gloom. The lights are bright and snippets of popular songs of the day drift out of passing cars. Vic walks past the Flatiron and all of a sudden stops when someone yells his name.
Maria
Victor!
Vic turns around to see a familiar looking girl from his past that stops him from moving as she runs up to him and envelops him in a gigantic hug. She pulls back and gives him a look over and whistles low.
Vic
Hello to you too Maria. What are you doing all the way up here in New York?
Maria
I just moved here for a job like a few months ago.
Vic
Oh, congratulations.
Maria
You look so good Vic. What have you been up to these days?
Vic
I work out and I’m mostly a vegetarian.
Maria
No, I mean—
Vic
I know what you meant.
Pause
I guess you can say I put people together and facilitate each party finding exactly what he or she wants in the other.
Maria
So you’re a match maker?
Vic
That’s a very crude way to put it, but yes I guess if that’s how you want to understand it then sure.
Maria
So I tried calling you when I moved up here to catch up, but your phone number changed I guess or something.
Vic pulls out a card from his jacket. Has his name and number on it, but nothing else.
Vic
Here, my card if you ever need it.
Maria’s phone rings.
Maria
Oh, sorry. I’m meeting some friends at this club called Risk. You’re more than welcome to come with—
Vic
Nah, I’m fine. I’ve had a long day. Tell the doorman Bernard that I said hello though when you go in.
Maria eyes him awkwardly and taps his card against her phone.
Maria
Ok, well. I’ll see you around I guess.
Vic
Yeah, maybe. Have fun.
Vic turns around and walks away without saying goodbye.
We follow Vic as he makes his way through the swanky lobby of his building and he slaps high five with the doorman. His suit is wrinkled ever so slightly and he sags against the wall a little as the elevator carries him to his apartment.
He walks down a long hall to the end and opens his door to a decent sized apartment with nice modern looking furniture. Vic grabs a beer out of the fridge and sits down at the dinner table with his roommate there sitting on his MacBook Pro. His roommate looks like a less well dressed and dorkier younger brother of Vic.
Vic
Hey dude what’s going on?
Emory
Hey there Vic. I’m just reading up on some papers. You didn’t come in last night right? Another epic night on the town followed by a day of work?
Vic
Yeah stuff got pretty wild last night you should have come out. I was hanging out with Ahmed—Saudi Prince—and his harem. He essentially foisted these two girls at me and told me to leave his VIP area immediately and take these girls up to their room to make sure they got to bed safely. The bar was in the hotel and the girls were not in his harem.
Emory
Whoa, do princes pay bricks of gold or something?
Vic
Princes pay in bank transfers just like everyone else. Hefty amounts via international bank accounts. So while I was entertaining middle eastern royalty you were doing what?
Emory
I stayed home and played Starcraft for awhile and then Diana and I went out and got some pizza and played scrabble all night on my iPad.
Vic gives him a glance like “are you fucking kidding me?” But he knows its all probably true. Emory was maybe the exact opposite of Vic. Probably why he liked having Emory stick around as opposed to kick him out. It’s not like he needed the rent money.
Vic
Sounds like a good way to spend a night with your girl.
Emory
Only if you win at least one game of scrabble. Defeat sucks man, but it does make victory that much sweater once you do get it.
Vic
Guess who I saw on my way home tonight.
Emory Captain Kirk
Vic
Nope. Maria.
Emory
Oh what. No way. What’s she doing in New York?
Vic
Some job. What else.
Emory
Wow. That must have been awkward. She dumps you for not being professionally driven enough so you decide to leave your Podunk town of Des Moins and move to the big city.
Vic
You have no idea how awkward it was I just wanted to flaunt everything I have in her face, but I held back. It seemed unbecoming. I gave her my card so maybe she will call me.
Emory
You did what! This girl broke your heart in high school man. You were suicidal for a little bit there.
Vic
Yeah, you would probably know best out of anyone. Anyway, I’m beat as fuck. I’m gonna go to sleep.
Emory
At ten o’clock?
Vic
I wish it was eight.
Emory
Alright. See you tomorrow dude.
Vic slinks off to his room and starts taking off his clothes until he’s just in his boxers and just falls into his bed. Asleep before he hits the mattress
Camera shots of Vic’s empty apartment. Everything is the way it was when we saw Vic and Emory conversing, but Emory is gone and nowhere to be seen in the two bedroom. The second bedroom is sparse and quite clean with few personal touches. Someone could live there or someone might not.
Fade Out